Showing posts with label National Poetry Month. Show all posts
Showing posts with label National Poetry Month. Show all posts

Wednesday, April 20, 2011

Travel Journal (Peru, 1987)



Today, for the second time this week, I saw a hummingbird perched on one of the spindly maples by the jogging trail. They haven't graced the white-flowering currants in my yard this spring the way they have in past years, so perhaps they've moved. The currants are nearly done blooming by now. Maybe it's just been so rainy that I haven't been outside, and missed them.

As I was thinking about migratory hummingbirds relocating across town, and congratulating myself that all my zigzagging to dodge the deeper mud pits was surely adding at least a mile to my workout, I met up with a friend. This friend is much fitter than I am--when she says "running," it's not a euphemism for creeping lope--but I tried to keep pace. She's planning a trip to Peru. I've been to Peru so, when asked, I naturally tried to offer advice. Huffing and wheezing all the while, for greater drama and impact.

None of it practical advice, of course. I was twenty, traveling on my parents' dime and my parents' planning efforts. When she asked if we made hotel reservations in advance, I didn't have a clue.

But I remember the trip. I used to keep detailed travel journals, trying, at the end of each day, to mentally retrace my steps and note everything down. I've lost that habit, but it fed a fine discipline of noticing that I have tried to hold onto, even as I've gotten lax about the recording. I have the journals, all of them. I've scarcely opened one after coming home; maybe the initial writing was enough. Sill, I'm glad they're there.

macguffin.jpg
Some details of the Peru trip--Dad's hypothermia on the Lake Titicaca, the giant spider in the bathroom, the unsugared oatmeal on the Inca trail--have become the stuff of family legend: often rehearsed, repeated--altered? No doubt. Memories can be stories we tell ourselves, and when we tell them to others, they slip further beyond our control and become their stories, too.

I listed destinations and remembered stonework. Misadventures and an extraordinary moonrise. Go to Ollantaytambo, I told my friend. And when she praised my memory for detail, I said, "I spent years trying to write a poem about it." Almost as an excuse. 

I did write that poem. It was published in The MacGuffin 9.1, 1992. The journal doesn't have an online archive that I can link to, so I'll share the poem here, with thanks for the editors' early hospitality, and hope they won't mind. In honor of National Poetry Month, and travel journaling and embroidering, and trying to remember it all and get it down in words. And, always, missing something big.





Wednesday, April 6, 2011

Dappled praise

I was going to write about mixed-language stage plays today, and I may get to that (if not, stay tuned--it's one of my ongoing preoccupations, sure to reappear), but dabbling around, sampling other people's blogs, I came across the Poetry Society of America's request that people share via Twitter the line of poetry that first made them fall in love with the art. 

The line that jumped to mind was "Praise God (sic) for dappled things." (When I went to look for the poem, it turns out--surprise, surprise!--I had misremembered that first line; should be "Glory to God.") Anyway, it's the dappled things I remember, the quilted landscape, the piper. When we read Gerard Manley Hopkins' Pied Beauty in English Lit. (or was it AP?) I was already in love with poetry and writing lots of poems. I was the preached-to choir. But I remember the relish

glee
joy 
delight
mischievous glint
true generosity

with which Mrs. Niblock presented the poem. She loved it. Loved the sound of the words and the strange combinations that are nonetheless just right and the message, too: the crumpled, pied, dappled, unexpected is beautiful, worthy of praise. When I was there, Helen Niblock was legendary at East Lansing High School. She stood at the front of the class in her pink and black houndstooth suit, matching salt-and-pepper hair piled in a disarranging bun, and pulled us into the poem. So this is my small shout-out in her memory. I have held Hopkins' lines, and her teaching of them, in the back of my mind ever since: "rose-moles all in stipple upon trout that swim"-- praise them!


(other poetry-related blogs I've enjoyed today: Giving up the Ghost and Cut out the Stars)